Home | Gallery | About The Artist
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Bio As a Colorado native, the American Southwest's creatures, cultures, and landscape of light and stone are constant influences in my work. The underlying patterns, processes, and miracles of the natural world, as well as sojourns in Europe and Asia, ceramist/painter parents, experience with a wide variety of media, and insights from readings ranging from science to poetry, are strong influences as well. |
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An introduction to the book arts during my BA studies at Reed College in Oregon led me to the Central School of Art and Design in London, England, and to Ireland, to pursue a postgraduate M.Phil degree researching the lettering in early Irish manuscripts and its potential for contemporary design. The expatriate experience was invaluable. Having a base in London for seven years gave me the opportunity to travel throughout Britain and Europe, absorbing ancient sites, other cultures, and the treasures of many great museum collections and exhibitions. While based in the British Isles, I worked with Irish traditional music groups and with The Dolmen Press. I taught for several years as a Visiting Lecturer for the Postgraduate Graphic Design program at the Central School, where I developed a short block course, Design Contexts, which emphasized the social and environmental considerations in design. In enameling (glass fused to metal at high heat), I found a medium in which I can integrate multiple layers of imagery, letterforms, and meanings. Large-scale enameling for wall pieces and murals involves applying powdered glass to sheet copper or steel, using various techniques, and firing the piece for several minutes. I repeat the process many times, applying layer upon layer of images. I’ve been freelancing in art and design, carrying out mural projects (Colorado and West Virginia), and teaching at high school and college levels, since returning to Colorado. In recent years, the landforms, colors, and life in desert canyon country have been strong inspirations. As Artist-in-Residence at the North Rim of the Grand Canyon in 2006, I focused on the abundance of life in widely varied microhabitats around water at the Canyon: seeps and springs, tinajas, flowing streams, the river, precipitation, and extremely arid areas in which life forms exhibit amazing strategies for flourishing with very little water. Water as essential to life is both scientific fact and spiritual metaphor. The work inspired by this sojourn continues to unfold. In my site-specific mural and mixed-media projects, my aim is to create welcoming, meaningful spaces, integrating concepts, qualities of materials, and the site's architecture, function, and setting—natural and historical—to define, enhance, and evoke a spirit and sense of place. The work often includes an interactive element, engaging intellectual as well as emotional/aesthetic responses. My enameled metal and mixed-media works incorporate layers of images and often text, growing from the inherent qualities of glass, metal, wood, and found objects, and from my other pursuits: reading, writing and observing; environmental and arts issues; hiking and camping in amazing places; and friendships with remarkable people. My work is grounded in the nature of place—my studio is in the home my father built into bedrock at the edge of the Garden of the Gods in Colorado—and it’s nourished by travels: viewing ancient masterpieces in situ in Ireland, Britain, Afghanistan, India, China, and the southwest USA; backpacking; communing with wildlife—from the American West to the Galapagos Islands. My work is a way I explore and celebrate the natural world and human inquiry, spirit and wonder. |
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SELECTED COMMISSIONS |
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Colorado Council on the Arts/Art in Public Places program |
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2003 |
Enameled murals |
2001 |
Enameled murals,
pierced- steel fences |
1998 |
Enameled mural and
courtyard design |
Selected other commissions |
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2003 |
Enameled
copper donors' mural |
1998 |
Enameled
copper donors’ mural |
1995-1996 |
Enameled copper signs;
concrete animal-sculpture benches |
1995 |
Enameled
steel interpretive signs |
1992 |
Enameled copper and steel murals |
1983 |
Tabernacle
panel and cross in enameled copper and carved oak |
1982 |
Enameled steel illustrated herb garden signs |
SELECTED EXHIBITIONS (*Solo shows) |
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2007 |
Grand Canyon Artists-in-Residence
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2005 |
Ancient
Memories |
2003 |
Neo Geo Revisited |
2002 |
Word,
Text, and Story |
2000 |
Artesia: an invitational show of 50 of the region’s most influential artists |
1998 |
Something
New: 3 contemporary regional artists |
| 1997 | Crafts National 31, 1997 Zoller Gallery University Park, PA Beyond the Surface International Marblers’ Conference Istanbul, Turkey |
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1995 |
Great
Expectations: 5th Enamelist Society Juried Exhibition |
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1994 |
*Landscapes
of the Heart |
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1992 |
*The
Matter of Spirit |
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1991 |
Rhino Rock
Wildlife |
1988-2007 |
Group exhibitions in 10 galleries &
museums |
1985 |
Sixty Alphabets (traveling
exhibition) |
1983 |
Chicago Calligraphy 83 |
1982 |
Lettering in Enamel |
RESIDENCIES |
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2007 |
Artist-in-Residence |
2006 |
Artist-in-Residence |
1992 |
Artist-in-Residence |
TEACHING |
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2007 |
Adjunct
Faculty |
2006-present |
Adjunct Faculty |
1992-present |
Adjunct
Faculty |
1986-1990 |
Art
Teacher |
1983-1985 |
Instructor |
1980-1983 |
Visiting
Lecturer |
1983-present |
Workshop
presentations in design, enameling, & calligraphy |
RELATED EXPERIENCE |
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2001-present |
Co-founder
and Board Member, |
2001-2002 |
Artist
member, Design Team |
1999-2004 |
Member,
Steering Committee |
1999 |
Participant, Enamelist Society Delegation to People’s
Republic of China |
1998-2001 |
Art
Commission of the Pikes Peak Region |
1980 |
Curator, "From
Penstroke to Print" |
SELECTED LECTURES / PUBLIC SPEAKING ENGAGEMENTS |
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2007 |
"The Manitou Post Office Mural” |
2005 |
"Bringing 'Em Back From The
Dead" |
2002 |
"Text and Image" |
2000 |
"A Sense of Place: The Voice of the
Land in Southwest Art," |
1999 |
"Public Art at Pikes Peak" |
1994 |
"Celtic Art" |
1992 |
"The Matter of Spirit" |
1988 |
"Illustration &
Storytelling" |
SELECTED PUBLICATIONS |
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2005 |
"American
Beauty" |
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2001 |
"Chaos, Creation,
Collaboration and Cactus" |
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1999-2000 |
“Making Something Light Up” |
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1999-2000 |
"You Are Here" |
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1998 |
"The View from
Above" |
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1998 |
"Infinite Nature:
Architectural Enameling with Landscape Architecture" |
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1991 |
“The Battle to Save the
Burren” |
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1981 |
"Celtic
Calligraphy" (co-author, Liam Miller) |
PUBLISHED REFERENCES |
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Sixty Alphabets |
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A
Practical Guide to Lettering |
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The Irish Hand |
EDUCATION |
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1980 |
M. Phil. |
1973 |
B. A. |
Advanced Studies: |
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Enameling |
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Calligraphy/Letterforms |
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Palaeography |
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GALLERIES REPRESENTING PAT MUSICK |
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The
Great Southwest |
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Cucuru Gallery |